Ludovic de Walden

Ludovic de Walden

It is with great sadness that the William Scott Foundation has lost Trustee Ludovic de Walden “Ludo” on 2 November 2020 after a short battle with COVID-19.

Ludo gave us enormous support and resolved numerous intellectual property issues, his knowledge, guidance and gregariousness will be hugely missed.

Julian Bream

Julian Bream at Hallatrow, 1958. Photograph © James Scott

The distinguished classical guitarist Julian Bream died on 14 August. He had a wide range of interests outside music and was renowned for his fine collection of 19th and 20th century British art.  He was a friend of William and Mary Scott and is pictured here having tea with the Scotts at Hallatrow in these photos taken by James Scott in 1958.

Mary Scott, Julian Bream and William Scott with a sculpture by Robert Scott in the foreground. Photograph © James Scott

William Scott: abstracting and appreciating the everyday

To some art critics, the twentieth-century British artist William Scott‘s kitchen-table still lifes are too timid – as Roberta Smith wrote in The New York Times, they can be seen as ‘abstract paintings for people who don’t like abstraction’. Others, myself included, find them enticingly reduced and for the most part easily readable, which is part of their charm.

Read Chloë Ashby’s article by clicking on the link below

https://artuk.org/discover/stories/william-scott-abstracting-and-appreciating-the-everyday

St Ives: Movements in Art and Life

Sennen, 1950
Sennen, 1950
1 August – 19 September 2020

The Royal West of England Academy are delighted to re-open with three exhibitions exploring the work of Wilhelmina Barns-Graham and her peers. Visits will need to be pre-booked. They request that all visitors wear a mask in the galleries and preferably in their public spaces. 

Discover how in 1939 St Ives became a temporary home to some of Britain’s most forward-thinking abstract artists fleeing the dangers of the Second World War. Continue reading “St Ives: Movements in Art and Life”

St Ives: Movement in Art and Life video tour

Cornish Harbour, 1951
Cornish Harbour, 1951

The exhibition St Ives: Movement in Art and Life featuring William Scott’s Sennen, 1950 and Cornish Harbour, 1951 would have opened at the Royal West of England Academy in March.  However, due to the coronavirus closures it had to been postponed.

Supported by Arts Council England, the Royal West of England Academy has taken the opportunity to create a video tour of the exhibition, whilst closed to the public, which can be viewed below.

BBC Radio Ulster Radio

To mark William Scott’s birthday, BBC Radio Ulster Radio played an interview from 1979, when Scott was interviewed by Robin Harris.  You can listen to it here:

https://www.bbc.co.uk/sounds/play/p083g6nz

BBC Radio Ulster Radio also played an interview with Scott’s nephew Cardwell McClure, which can be heard here

https://www.bbc.co.uk/sounds/play/p083gjg2

A Portadown man’s connection with the artist William Scott can be listened to here:

https://www.bbc.co.uk/sounds/play/p0836zxt

Photographs on BBC Radio Ulster’s website of Scott can be seen here:

https://www.bbc.co.uk/programmes/p083d0s2/p083d07w

 

Three works by British Modernist Artists Gifted to the Nation

William Scott, Small Cornish Landscape, c.1953
The works, including a William Scott painting, will go on display in February 2020
The donation has been made through the Government’s Cultural Gifts Scheme

A sculpture by Dame Barbara Hepworth (1903-1975), a sculpture by Denis Mitchell (1912-1993) and a painting by William Scott CBE RA (1913-1989) have been acquired for the nation through the Cultural Gifts Scheme, administered by the Arts Council. Continue reading “Three works by British Modernist Artists Gifted to the Nation”

William Scott Event at the Anita Rogers Gallery

Black, Yellow and White Composition, 1953

Black, Yellow and White Composition
1953
Oil on canvas
101.8 × 127.3 cm / 40 × 50 in

Undated, it was one of the paintings Scott showed at the São Paulo Bienal that opened in September 1953. Although there is always the possibility that it was painted in the winter of 1952, it seems more likely to date from the first half of 1953, a period when Scott was increasingly preoccupied with what he called ‘more linear forms of structure’ with ‘square forms that could be descendants of earlier pictures’.  Here, the black rectangular form with a thin white vertical strip is a straight descendant of the earlier tabletops with a coffee pot. Continue reading “William Scott Event at the Anita Rogers Gallery”

William Scott: Paintings and Drawings; Fifties Through Eighties

Blue East, 1964
16–21 December 2019

Anita Rogers Gallery is thrilled to present an exhibition of 1950’s – 1980’s paintings and drawings by British artist William Scott. The exhibition will be on view October 16 – December 21 at 15 Greene Street, Ground Floor in SoHo, New York. The gallery will host an opening reception on Wednesday, October 16, 6-8pm. Continue reading “William Scott: Paintings and Drawings; Fifties Through Eighties”

Four Giants of British Modernism: Frost, Heron, Lanyon, Scott

William Scott, An Orchard of Pears, 1976 or 1977
19 September – 19 October 2019

Beaux Arts London announce Four Giants of British Modernism, an exhibition of celebrated British modern artists: Terry Frost, William Scott, Peter Lanyon and Patrick Heron.

The exhibition will feature 5-6 works from each of the Post Second World War modernists, sourced from private collections.

Beaux Arts Gallery worked with the late artists Frost, Scott, Lanyon and Heron during their careers and this exhibition offers a retrospective of some of their greatest works created as they revolutionised British Art. Continue reading “Four Giants of British Modernism: Frost, Heron, Lanyon, Scott”